No mind

YORITOMO: Algren-San. Please forgive. Too many mind.
ALGREN: What?
YORITOMO: Mind sword, mind face, mind people watch, too many mind. No mind.
ALGREN: No mind?
YORITOMO: Hai! No mind. You try.

— The Last Samurai

Perfection

I have never known such a disciplined people. From the moment they wake, they devote themselves to the perfection of whatever they pursue. Everyone is polite, every nuance of behavior seems to have a great meaning [...]

— The Last Samurai

Juggling blood and fire

CHRIS: I’m thinking about going to Alaska.
WAYNE: Alaska, Alaska? Or city Alaska? The city Alaska does have markets.
CHRIS: No, Alaska, Alaska. I want to be all the way out there. On my own. No map. No watch. No axe. Just out there. Big mountains, rivers, sky. Game. Just be out there in it. In the wild.
WAYNE: In the wild.
CHRIS: Yeah. Maybe write a book about my travels. About getting out of this sick society.
WAYNE: Society, right.
CHRIS: Because you know what I don’t understand? I don’t understand why, why people are so bad to each other, so often. It just doesn’t make any sense to me. Judgement. Control. All that.
WAYNE: Who “people” we talking about?
CHRIS: You know, parents and hypocrites. Politicians and pricks.
WAYNE: This is a mistake. It’s a mistake to get too deep into that kind of stuff. Alex, you’re a helluva young guy, but I promise you this: You’re a young guy. Blood and fire! You’re juggling blood and fire!

— Into the Wild

Ultimate Freedom

Two years he walks the earth. No phone, no pool, no pets, no cigarettes, Ultimate Freedom. An extremist. An aesthetic voyager whose home is the road. Escaped from Atlanta. Thou shalt not return `cause the “west is the best”. And now after two rambling years, comes the final and greatest adventure. The climactic battle to kill the false being within and victoriously conclude the spiritual revolution. Ten days and nights of freight trains and hitchhiking, bringing him to the great white north. No longer to be poisoned by civilization, he flees, and walks alone upon the land to become lost in the wild.

— ALEXANDER SUPERTRAMP MAY 1992 (in Into the Wild)

Beauty

Parte final do filme American Beauty

The Awakening

Excerto do filme The Matrix

What is the Matrix

- I can see it in your eyes. You have the look of a man who accepts what he sees, because he is expecting to wake up. Ironically, this is not far from the truth… Do you believe in fate, Neo?
- No.
- Why?
- Because I don’t like the idea that I’m not in control of my own life.
- I know exactly what you mean. Let me tell you why you’re here. You’re here because you know something. What you know, you can’t explain. But you feel it. You’ve felt it your entire life. That there’s something wrong with the world. You don’t know what it is, but it’s there…like a splinter in you’re mind, driving you mad. It is this feeling that has brought you to me. Do you know what I’m talking about?
- The Matrix?
- Do you want to know what it is?
- Yes!
- The Matrix is everywhere. It’s all around us, even in this very room. You can see it when you look out your window or when you turn on your television. You can feel it when you go to work, when you go to work, when you pay your taxes. The Matrix is the world that has been pulled over your eyes, to blind you from the truth.
- What truth?
- That you are a slave, Neo. Like everyone else, you were born into bondage, born into a prison that you cannot smell or taste or touch. A prison for your mind… Unfortunatly, no one can be told what the Matrix is… you have to see it for yourself.

Excerto do filme The Matrix

The Matrix

The film describes a future in which reality perceived by humans is actually the Matrix, a simulated reality created by sentient machines in order to pacify and subdue the human population while their bodies’ heat and electrical activity are used as an energy source. Upon learning this, computer programmer “Neo” is drawn into a rebellion against the machines.

— Wikipedia, the free encyclopedia

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Human Sacrifice

Excerto do filme Fight Club de David Fincher

What dreams may come

What Dreams May Come is a 1998 dramatic film, starring Robin Williams, Cuba Gooding Jr., and Annabella Sciorra. The movie is based on the 1978 novel of the same name by Richard Matheson, and was directed by Vincent Ward.

Chris Nielsen (Robin Williams) dies in a car accident, and goes to an otherworldly paradise, created out of his wife’s paintings. He befriends afterlife guide Albert Lewis (Cuba Gooding Jr.), but without his wife Annie (Annabella Sciorra) he is lost. Albert attempts to dissuade Chris from trying to reach his wife, who herself is terrified of a life without him.

The two attempt to cross the boundaries of life and death to reach each other but it is not enough…

This is an Orpheus like story, of a man reaching beyond death to seek out his one love. A story that ultimately takes him into the hell his own wife is confronting.

— Wikipedia, the free encyclopedia

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